Col Self's practice is often collaborative through the collective Sp0re - a nomadic network of artists opposed to a militant collective. The group engages with the ritualistic, hallucinogenic and the virtual through performance, moving image, sound and installation.
Col's work speculates on the possibility of magick and ritual to question what progressive futurity might be, away from the rhetoric of the Capitalocene. Using the products, fashions and symbols of capitalism through the lens of ritual is a form of reclamation in resistance to late neoliberalism, which has always driven utopian models towards platform dynamics of closure.
This research-practice operates towards a rethinking of the relations between language, cultural practice and material form, to consider collective agency opposed to capitalist individualism. How might the rich alchemic alternative histories of ritual practice be a means to navigate routes through a networked environment of closure? The work trawls a neoliberal centre for a fragmented politics of joy, contributing to a historical language of the struggle for utopia.